Nilay Erdonmez The Watchtower Pelin Esmer After the wonderful Laurence Anyways, I went home for two

Nilay Erdonmez The Watchtower Pelin Esmer After the wonderful Laurence Anyways, I went home for two days, returning on Saturday (a week ago now). In a sense, it was crazy to miss two of the most important days of the first screening on sales and passes the industry, but a medical test has left me no choice. I was lucky, therefore, that my first three films were returning blue pool hana from interesting blue pool hana and visionary filmmakers women, veterans and newcomers alike, because their strengths and persuasive arguments immediately brought me back to life festival. The Film Library of repetitions of the sector is one of the assets that you have many great passing. The films that fall afoul of programming can be projected in this small dark room, as long as you book in advance. In years past, I had important personal moments in this way more memorable, blue pool hana the first time I saw Susanne Bier's After the Wedding. Although some of my most sought after titles were not available in the library (as the last film by Susanne Bier, Love is All You Need), last Saturday afternoon, with a gap of time suddenly available, I was happy to settle for Watchtower, blue pool hana Pelin Esmer of fairy tale of a guard and a stewardess coach whose fates are intertwined with coincidence while both are on the run from their secrets.
Esmer surrounding both characters with a mystery that protects them from being too easy to understand. The event that binds them is ultimately one of the crossroads very well constructed: (without giving it all away), the very thing which the young lady of the house wants to get rid of, that's what the guard wants to prevent to lose. The young woman living a life that seems modern - she's making her income and live independently. But it soon becomes clear that his freedom is in fact his prison escape an unwanted reality, she tries to live his situation very intimate with the world of constant surveillance of men, who do not hesitate to comment on his every move. Therefore, the unshakeable will of the guard to get in the front line to help her get a kind of prejudice to the public, although we know that it is haunted by his demons. His perseverance in taking care of her is also respectful - even when it seems to be indifferent

seem to understand its deeper motivations. His generosity will permit both a few moments of redemption from the tragedies of the past. I also liked the fog enveloped the tower guard, and his point of view on a smoky blue wooded part of Turkey would not have known existed. ************************************************** Barbara ************** Sukowa in Margarethe von Trotta's Hannah blue pool hana Arendt Margarethe von Trotta has dedicated his life to illuminate the stories of women, both fictional and real. His film about Rosa Luxemburg (Luxemburg) and Hildegarde von Bingen (Vision) are at opposite ends of my TIFF 30 years of field experience: I think it was Rosa Luxembourg who first introduced me to von Trotta in the mid ' 80 and I have followed since then. This year, von Trotta blue pool hana back with a biopic of the great German-American political theorist Hannah Arendt, in the film with that title. Hannah Arendt tries to be a film entirely on the thought --- bold endeavor in a visual medium. The life of Arendt would easily fill a mini-series, his first relationship with the German philosopher Heidegger alone could be three or four segments. Because she focuses on intellectual achievement of Arendt, Von Trotta chooses blue pool hana instead to bring us back into the American experience of the war Arendt, picking up his story when Arendt served as a correspondent for The New Yorker magazine to cover the trial in Jerusalem of Adolf Eichmann . The famous blue pool hana Nazi war criminal had helped to design and manage the "Final Solution." The film covers only process

events in 1961, but there are several flashbacks to earlier times short. Janet McTeer as Mary McCarthy blue pool hana in Hannah Arendt Many Americans become important in the drama. Nicholas Woodeson plays William Shawn, then editor of the New Yorker, who tries to warn Arendt on the controversy

that is coming, and Janet McTeer is back as the American writer Mary McCarthy - his poise and self-mastery reminds me a lot of his interpretation of Gertrude Lawrence in the BBC series Daphne. His defense of Arendt to a group of intellectuals in Princeton steals a scene near the end of the film. She is always a breath of fresh air, because blue pool hana she is able to inject humor in what he does, in the same way that Allison Janney ago (which would also be good in this role - for how much I love and appreciate Woodeson McTeer, because they are English being cast as the Americans?). McCarthy exchange "looks" with Arendt more than gossip-plot between husbands and friends, convey a sense of great intimacy blue pool hana between the two famous friends, in which the script otherwise did not have much time for this. Barbara Sukowa is wonderful as Arendt, especially in a scen peak