You learn how to get a face through beyond hana s gate the turn. The best you can start with an egg

You can go to animation school, spend a $ 100,000 and not learn a damn thing about the basics of good animation drawing-OR you can buy a Preston Blair book for $ 8 and learn it all in a couple months. You pick. If you learn the principles Correctly, beyond hana s gate you will be bootable

to draw in any style today. You'll be miserable having to dumb down your abilities-but you will be in demand. - John Kricfalusi The book does not contain much text and at first glance it seems no more than a collection of illustrations. The only thing you also need to do is copying beyond hana s gate what is in the book. Apple, egg I thought. Well, absolutely beyond hana s gate not! I believe I have the bunnies on the first page or 8x've drawn and then they were not good, a few are on my blog. Now about 2.5 years later, 5 pages into the book and many natekenwerk beyond hana s gate further, I have learned so much! John K. John K is the founder of Spumco animation. Ren & Stimpy is the most famous cartoon series from this studio. He posts on his blog Vanalles about animation beyond hana s gate and cartoons. He is my biggest "teacher". John has reference to Animation 1 is a free, online drawing course prepared. The course consists of 10 lessons. The lessons describe something clearer what Preston Blair in the book tells and how to get there as much as possible from it. The classes can be found here Preston Blair Animator mainly for Universal, Walt Disney, MGM and Hanna-Barbera worked. At Disney, he has to include Pinocchio and Bambi cooperated. Later at MGM he worked with Tex Avery. And not to forget, he worked on The Flintstones Hana-Barbera. Signs! General There are many examples on the corresponding pages that you can copying. Then it is the intention that your drawing scanning-and puts it over the original. This allows you to see how good / bad you did. I can tell you, the first time you will greatly ashamed! Construction
You learn how to get a face through beyond hana s gate the turn. The best you can start with an egg. Here you draw a face on the egg and then you in every way possible signs. You see and feel now how the deformed shape when it is running. After all, the more you egg under or above view, the rounder it is. Also see the face ever else you learn that a face is not flat (though you knew deep in your heart also). The eyes, for example, walking beyond hana s gate along with the form and by the distorted perspective. Thereafter, the step can be made to the rabbits on the page. Here's more form than in the egg and is a lot harder. Protrudes from the nose, as well as the lip and the cheeks. The eyes are hand deeper, more or less in the face flush. By copying learn to manage these.
Even more troublesome is created when you go to the next page. Here it is a larger form that protrude. For example, the muzzle of a dog or a beak of a bird. You learn to go with the basic structure of the face. In addition, it is the relationships between the different parts of the face. Squash and Stretch Animation characters can, like us, their faces distorted. Stretch and contraction. It remains the basis of the same head. The skull is one solid form. Because the jaw does not move, moves the flesh, the skin, though. In addition, there are a lot of muscles in the face that are also ensure that all kinds of skin changes occur. Very complex when you read it. And that's it really. But a mirror can explain a lot. For example, a smile does the following: The mouth curls up and gets wider. The cheeks go up, making the eyes smaller. Also the nose wider and shorter and the eyebrows go up slightly.
On this page of the book shows how the face of a dog forms in different emotions. By copying learn how to face "works" and how the different parts of the face deform or move in certain expressions. Proportions In this lesson, you use the same pages as Construction and Stretch & Squash've used. You will pay extra attention to the relations between the parts of the face. Since you're already one step further in the copying, it (if it is good) now even faster and easier. Probably, the drawings beyond hana s gate are also closer to the original and the lines are more flexible because you have less forced draw. Through repetition you get the construction rules better mastered. Therefore you can now pay special attention to the relationships. Lots of characters have the same basic structure. But because of the small differences in proportions they seem totally different. Therefore it is important to train yourself to notice these small differences and on paper